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Yamaha PM5D / PM5D-RH Digital Mixer
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Yamaha PM5D / PM5D-RH Digital Mixer

proizvođač: Yamaha

A powerful choice for medium to large-scale live sound, the PM5D is available as a stand-alone console, or as the double-capacity PM5D-EX system featuring the console plus a DSP5D Digital Mixing System.

Dodatna pitanja | Pošalji prijatelju

info telefoni: 011/334-56-17, 011/3340-749, 011/32-35-332, 063/425-100

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Karakteristike

Versatile Configuration with Flexible I/O Patching Capability
PM5D-EX Expanded Digital Mixing System for Double I/O Capacity and Processing Power
Open Architecture for Flexible Live Sound and Recording
Virtual Soundcheck Capability
96-kHz Processing for Superior Sound and Response
Advanced Analog Circuitry, Including Top-quality Head Amps
Extensive Channel and Output Functions
Eight Effect Processors and 12 Graphic EQs
Optimized for Live Sound Applications
Software Built on the PM1D Experience
Channel Move Function
Universal power supply
Enhanced Interoperability with External Devices
Digital Cabling Capability with PM5D-EX
Supplied PM5D Editor Application for Extended Control and Efficiency
Solid Security

Opis

A Choice of Head Amps: PM5D or PM5D-RH

The basic PM5D and PM5D-RH consoles differ only in input functionality. The PM5D features standard high-performance head amps, while the PM5D-RH adds head-amp recall capability that allows head amp gain settings to be recalled along with the other console scene data.

General Specifications

All faders are nominal when measured. Output impedance of signal generator: 150Ω

Internal Signal Processing

32-bit (Accumulator 58-bit)

Sampling Frequency

Internal

44.1 kHz, 48kHz, 88.2kHz, 96kHz

External

Normal rate: 44.1kHz (-10%) — 48kHz (+6%)
Double rate: 88.2kHz (-10%) — 96kHz (+6%)

Signal Delay

Less Than 2.3ms INPUT to STEREO A, B (@ Fs = 48kHz)
Less Than 1.15ms INPUT to STEREO A, B (@ Fs = 96kHz)

Fader

Motorized, Stroke: 100mm All Faders

Fader Resolution

+10 – -138, -∞dB (1024 steps) All Faders

Total Harmonic Distortion


  Input Gain = Min.

Less Than 0.05 % 20Hz – 20kHz @+4dBu into 600Ω
INPUT 1 – 48 ch to STEREO A,B OUT
(@Sampling frequency - 44.1kHz or 48kHz)
Less Than 0.05 % 20Hz – 40kHz @+4dBu into 600Ω
INPUT 1 – 48 ch to STEREO A,B OUT (@Sampling frequency = 96kHz)

Frequency Response

PM5D

0.5, -1.5dB 20Hz – 20kHz @1kHz into 600Ω
INPUT 1 48 ch to STEREO A,B OUT
(@Sampling frequency = 44.1kHz or 48kHz)
0.5, -2dB 20Hz – 40kHz @1kHz into 600Ω
INPUT 1 – 48 ch to STEREO A,B OUT
(@Sampling frequency = 96kHz)

PM5D-RH

1.0, -3.0dB 20Hz 20kHz @1kHz into 600Ω
INPUT 1 – 48 ch to STEREO A,B OUT
(@Sampling frequency = 44.1kHz or 48kHz)
1.0, -3.0dB 20Hz – 40kHz @1kHz into 600Ω
INPUT 1 – 48 ch to STEREO A,B OUT
(@Sampling frequency = 96kHz)

Dynamic Range
(Max level to noise level)

110 typ. DA Converter (STEREO A, B OUT)
(@Sampling frequency = 44.1kHz or 48kHz)
108 typ. AD + DA (to STEREO A, B OUT),
GAIN: Min., PAD: ON (@Sampling frequency = 44.1kHz or 48kHz)
110 typ. DA Converter (STEREO A, B OUT) (@Sampling frequency = 96kHz)
106 typ. AD + DA (to STEREO A, B OUT),
GAIN: Min., PAD: ON (@Sampling frequency= 96kHz)

Hum & Noise
 Rs = 150Ω
 Input Gain = Max.
 Input Pad = 0dB
 Input sensitivity = -60dB

-128dBu Equivalent Input Noise (20Hz – 20kHz) STEREO A, B OUT
-86dBu Residual Output Noise, ST Master Off.

Maximum Voltage Gain
@ 1kHz

84dB INPUT 1 – 48 to STEREO A, B OUT, Rs = 150., Input Gain: Max., PAD: Off
84dB INPUT 1 – 48 to MIX OUT/MATRIX OUT/CUE OUT/MONITOR OUT
(via STEREO Bus)

Crosstalk @ 1kHz

-80dB Adjacent Input 1 – 48
-80dB Input to Output

Power Requirements

PM5D

480W DC 24V 20A (Use PW800W Only)

PM5D-RH

600W DC 24V 25A (Use PW800W Only)

Dimensions

W x D x H (mm) 1551 x 950 x 283

Net Weight

PM5D: 98 kg

PM5D-RH: 97 kg

Operation free-air
Temperature Range

 10 – 35 °C

Storage Temperature
Range

-20 – 60 °C


                                    The Scalable Standard for Digital Live Sound

Since it's release in 2004 the PM5D has become a standard for digital live mixing, and the first choice of legions of discerning engineers and sound companies throughout the world. Why? Simply because it offers extraordinary sound and versatility in a relatively small, lightweight system that is intuitive to use and delivers unmatched sound, control, and reliably without the need for additional outboard processing gear. Of course programmability and recall capability are of monumental importance in today's live sound scene as well.

It's no exaggeration to state that the PM5D Digital Mixing Console took the digital revolution to a new level. What's more, it offers a system solution that can enhance the entire sound production process from input to output through seamless integration with digital systems including Yamaha's DME series digital mixing engines and AD8HR 8-channel A/D converters with remote controllable preamps. But for applications that require serious I/O capacity there's the PM5D-EX: a PM5D console plus a DSP5D Digital Mixing System that gives you the I/O and processing capacity of two PM5D consoles controlled from a single control surface, plus the added advantages of digital cabling over long distances when necessary. There's virtually no limit to the possible configurations and applications, thanks to open architecture with the flexibility and expandability you need to handle just about any live sound and recording application.

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