Gibson Les Paul Faded DC - Worn Cherry

Gibson Les Paul Faded DC - Worn Cherry

proizvođač: Gibson

The new Les Paul Faded - Double Cutaway has a pair of single-coil P-90 pickups, like the original Les Paul Special. Other features include a '60s-style slim-taper mahogany neck, unbound rosewood fingerboard with dot inlays, and chrome-plated hardware.

Dodatna pitanja

info telefoni: 011/334-56-17, 011/3340-749, 063/586-473

Karakteristike

BODY
Body StyleMahogany
Body SpeciesMahogany
NECK
SpeciesMahogany
Profile1960 Slim taper
Nut Width1.695"
Neck Joint Location22
FINGERBOARD
SpeciesRosewood
Scale Length243/4"
Number of Frets22
InlaysDot
HARDWARE
Plating FinishChrome
TailpieceStopbar
BridgeTune-o-matic
KnobsBlack Top Hat
Machine Heads (Tuners)White Button
ELECTRONICS
PickupsDual vintage single coil P-90s
Controls

Opis

Features: This guitar was made in 2007, by hand in Tennesee. It features a mahogany body and set neck, with a rosewood fretbord containing 22 Jumbo frets. It is a solid wood top, with no special finishing. It comes in TV yellow stain, or worn cherry stain, mine personally is a worn cherry. It boasts a traditional Gibson double cutaway shape. It includes a Tune-O-Matic bridge, with two P-90 pickups and a 3-way selector. This guitar comes with a gig bag featuring the Gibson logo. All in all, it has lot of impressive features, and is worth the money.

Sound: I normally play along the lines of progressive metal music (Opeth, Dream Theater, Pain Of Salvation, etc), and I get an interesting sound for that type of music. There is no doubt that this guitar is made for the blues, but with the right settings, it plays metal perfectly well. I used to play through a Line 6 Spider III 30W amp, where the tone was heavily outmasked by the Spider. Currently though, I managed to score myself a Traynor Custom Valve YCV40WR all-tube amp, and through this, it sounds like a dream. The distortion really sticks to each string when I am playing with it on, and this is just perfect for the type of music I play. The guitar handles cleans very well, able to create both subdued tones, as well as rich cleans as well. All in all, it can create lots of different types of melodies, however, I am considering swapping out my bridge pickup for either some form of humbucker, or rewired P-90, just to get a more heavy sound.

Action, Fit & Finish: The setup was excellent, no problems whatsoever when I got it. I bought it direct from guitar center, and literally watched the salesperson take it out of the box and hand it to me. The pickups were adjusted fine, however, for some odd reason, for the first couple months of playing, whenever I hit the 22nd fret on the high E string, it would scrape against the pickup. However, it seems like it has fixed itself, because that no longer happens, and I did nothing to fix it. Aside from that, there were no flaws with this guitar at all. The action was excellent, everything was well adjusted, and all the knobs worked fine. I would also like to mention that this guitar is extremely light. I'm giving a 9 only because of the problem with the pickup.

Reliability & Durability: My one gripe with this guitar is the durability of it. I have owned this guitar for about a year, am fairly gently with it, it lives in a smoke free home, and has only been gigged once over the entire year. However, with all this said, a lot of the paint on the bottom and back of the guitar has worn away. It scratches extremely easily, and the paint comes off quite easily as well. Now, I personally like the "faded" look that it gives it, but most people probably wouldn't. The hardware seems nice, the tuners are great, the bridge is great, Pickups, etcetera. And it seems dependable- I have used it in a gig without a backup, mainly because I don't own a backup, but I do think that I would do it again. However, as I said before, the paint chips easily, and within a year of purchasing, almost needs to be redone.

Impression: All in all, this is an excellent guitar. While not being built with my style of music in mind, it still manages those crisp metal tones, and that excellent clean. I run this through my Traynor amp mentioned above, along with a Boss CH-1 Super Chorus, a Dunlop Crybaby Wah, and a Vintage Boss CS-2 Compression Sustainer. It works great with all the pedals, especially getting an excellent tone out of the chorus. I have been playing a little more than two years, and this guitar is excellent for me, and I can see myself using it for years to come. If it were stolen or lost, I would find it, not caring what it takes. There is no buying another one of these, only finding my original. I love most things about it, as I said before, my only gripe is with the paint. I tried about 20 guitars, from the likes of Fenders, Ibanezes, Jacksons, B.C. Riches, etcetera, and this is the guitar that I truly like the best. I kinda wish it had a Floyd, or at least some sort of tremolo arm, but, it still plays fine without it. All in all, this a great guitar, and everyone should at the very least try it out.

 

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